Holywell Music Room, Oxford
A perfect example of the Oxford International Song festival’s creative programming, Benjamin Appl’s unforced but focused recital was full of profoundly beautiful music
Over 25 years, the Oxford International Song festival has adopted a creative approach to programming. Benjamin Appl’s pairing of Schubert lieder with spiny miniatures by György Kurtág was a perfect example. Your Schubert crowd isn’t necessarily your Kurtág crew, and yet the 280-year-old Holywell Music Room was packed to the rafters.
Ellen Mawhinney and Daniel Silcock, one of the festival’s Young Artist duos, kicked things off with an aquatic-themed recital that showed off Mawhinney’s powerful soprano and Silcock’s poetic instincts at the piano. From the inspiriting Scottish ballad Kishmul’s Galley to Hamilton Harty’s impassioned Sea Wrack, their smartly curated 15 minutes paved the way for Appl and James Baillieu’s equally satisfying programme, Lines of Life.
